juan rulfo el llano en llamas english translation

Once we’d gone back-and-forth a bunch, I brought on Jeremy Butterfield to copy-edit the work. One of the reasons Stephen suggested we keep the em-dash dialogue markers in the stories was that it didn’t disrupt the flow. Rulfo's prose is very sparse and he had a poet’s eye for repetition. The key aim of this translation was to keep tight to the rhythm and register of the original.

We could take our time, learn and get it right.Īfter Stephen delivered the initial version of the manuscript, I worked with him to catch anything that broke the flow of the translation not suggesting solutions for the most part, but rather saying this line or this word choice tripped me up. But, then, one of the advantages of working on a book originally released in the 50s is that there was no-one waiting impatiently for it to come out. We have published hundreds of stories in Structo over the years, including many works in translation, so I was quite familiar with the process of guiding stories to a high level of editorial quality, but books are another thing entirely.

Given this context, what was the editorial process like? In any case, we were delighted to have the opportunity to bring these stories to a new audience. We struggled to figure out why, for almost 70 years, the English language rights were never picked up outside of the US and Canada. A little while later he told me about El Llano en llamas.ĭespite having only published two books in his lifetime-this story collection and the novel Pedro Páramo-Juan Rulfo is very well known in the Americas. Structo Press was in its early stages back then, and so when Stephen left the team to focus on his own writing, I asked him to let me know if he ever came across anything particularly interesting in Spanish or Catalan which might be a good match for us. We published one of Stephen’s original stories in Structo 9, after which he joined the magazine staff for a couple of years. The project was brought to us by its translator, Stephen Beechinor. These stories were first published in 1953 how did they arrive in your inbox? Juan Rulfo's El Llano in flames is your first book. Now a team of ten or so, we are working on Issue 20, which will be released in a couple of months. Later, in 2008, I started a literary magazine called Structo. Remember them? On quiet Sundays, in-between selling the occasional copy of the Pictorial Guide to the Lakeland Fells, I learned how to read books without them appearing to have been read. I was lucky enough to grow up in a home full of books and for the last few years of school I worked weekends at my local bookshop in Kendal. What was your relationship with books, reading and writing growing up?

Juan rulfo el llano en llamas english translation